Archive for the 'Intellectual Property' Category

Instagate

InstagramInstagram has courted controversy this week by announcing changes to its terms and conditions. There are clauses in Instagram’s new terms which are likely to cause them difficulty with privacy and advertising regulators but the most controversial new terms are that:

  • Instagram will have a full licence to use your photographs, including to sub-licence or transfer use of them; and
  • customers of Instagram (that’s advertisers, not you) can pay to have your name or photos (along with other information) displayed in advertising messages, without paying you or even notifying you.

Changes to intellectual property terms on free online services have long been a source of controversy, not least because when services like Instagram are involved many of the users are involved in creative industries. Even if a user is not a creative professional, the service involves the creation of intellectual property. Mess with those users’ rights at your peril.

Of course, blame for these changes is being laid firmly at the door of Facebook who famously paid through the nose to acquire Instagram. While the new terms are not surprising, given the involvement of Facebook, whoever owned Instagram was always likely to attempt such a change in order to monetise the business.

If the online reaction is anything to go by, the changes are a boon for Flickr. The death knell of that service had been sounding for some time but it, and its new app which has launched with serendipitous timing, could see a significant return of dormant users. I have noticed a surge in activity in the past few days as Instagram users have returned to Flickr and began uploading photos for the first time in months while also seeking out contacts from the Instagram universe.

But what do Flickr’s terms say?

With respect to … Content you elect to post to other publicly accessible areas of the Services, you grant Yahoo! the royalty-free, perpetual, irrevocable, non-exclusive and fully sub-licensable right and licence to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, perform and display such Content (in whole or part) worldwide and/or to incorporate it in other works in any form, media, or technology now known or later developed.

The difference between this and what Instagram’s terms will say is not clear to me, apart from the fact that Instagram are more explicit in what they plan to do with your photos. Neither is it clear if a Flickr account which is set to private constitutes a “publicly accessible area of the Services”.

Strangely, this does not appear to be the situation in the US, where their local version of the Yahoo!/Flickr terms are limited and provide a licence ”solely for the purpose for which such content was submitted or made available.” This limitation does not appear in the terms applicable in Ireland. So is there any difference between Instagram and Flickr?

The strange, hypocritical attitude of the Irish Government to copyright, the internet and citizens

[Updated, at end] The introduction yesterday of an amendment to the Copyright & Related Rights Acts has been in the works for a long time (posts here, here and here). The issue has generated quite a bit of heat on both sides and the Government would do well to observe that opponents to the law have not held a monopoly on intemperate comment.

The amendment was destined to be introduced by statutory instrument and the concerns of any critics were always going to be ignored but the attitude of Séan Sherlock, junior Minister for Research & Innovation, to the issue is strange and contradictory.

His announcement of the new law contains a significant dig at those who opposed the statutory instrument the Government has just introduced.

I urge all interested parties on all sides to come together and work in a constructive and realistic way to the benefit of all.

This is a boggling statement. Like any campaign there was a lunatic fringe that fired off ill-informed comments. But most opponents were relatively well organised and the Minister met with representatives of some of them (read Michele Neylon’s account here). So, at least some “sides” came together. The Stop Sopa Ireland campaign was up and running in a very short time and, unlike most campaigns of opposition, actually proposed alternative wording to the Minister.

A key paragraph in that alternative wording would have included an obligation on a court to carry out a balancing act when considering whether or not to grant an injunction to a copyright owner.

In considering an application for an injunction under this subsection, the court shall have due regard to the rights of any person likely to be affected by virtue of the grant of any such injunction (including the freedom to conduct business, the right to protection of personal data and the right to receive or impart information) and the court shall give such directions (including a direction requiring that persons likely to be affected be notified of the application) as the court considers appropriate in all of the circumstances.

It appears that Minister Sherlock considers such a proposal to be non-constructive and part of a campaign of setting the “dogs” on him. However, a few weeks ago the Minister bizarrely “welcomed” the decision of the European Court of Justice in Sabam v. Netlog with the following comment:

[T]his decision … reiterate[s] that, in the context of measures adopted to protect copyright holders, national authorities and courts must strike a fair balance between the protection of copyright and the protection of the fundamental rights of individuals who are affected by such measures …

I welcome today’s decision from the European Court of Justice. This will provide further clarity to Irish courts in adjudicating such matters.

What would also have provided clarity to Irish courts in adjudicating such matters is a clause like the one included in the alternative wording submitted to Minister Sherlock.

Instead, a bare-bones statutory instrument has been used to amend the Copyright & Related Rights Acts providing none of the clarity that the Minister otherwise appears to favour.

[Update 7 March 2012] A recent press release by Minister Sherlock’s party colleague, Phil Prendergast MEP demonstrates what appears to be quite a different attitude to citizen engagement with copyright reform.

Commenting on the referral of the Anti-Counterfeiting Trade Agreement to the Court of Justice of the European Union, Ms Prendergast says:

This extraordinary u-turn by the European Commission, who had up until now dismissed legitimate concerns, demonstrates that engaged citizens and civil society groups can have a decisive impact on politics, especially when fundamental freedoms are at stake.

Not under Labour in Ireland, it would seem.

Stop SOPA Ireland

I’ve written some posts before on Irish developments in the music industry’s new approach to copyright infringement (targeting ISPs). A ministerial order which would provide the courts with wide, unspecified powers to control internet companies seems to be on its way. It has spurred an impressive grassroots protest movement into action, taking its name from the similar, recently-stalled US proposals.

Read about the issue here:

Register your protest here:

The huge Government majority means that any such debate would almost inevitably result in the law being passed by the Oireachtas anyway. Nevertheless, the issue should be publicly debated by the Government as it pits the interests of a small industry (Irish record companies) against those of an industry that is hugely significant for the “smart economy” (Google, Facebook, Twitter, YouTube, etc).

It’s also worth bearing in mind the quality of evidence often advanced by the record industry when seeking in junctions, as indicated by this post by Justin Mason.

Why does all of this matter? I again quote Cory Doctorow.

… I don’t care if you want to attempt to stop people from copying your work over the internet, or if you plan on building a business around this idea. I mean, it sounds daft to me, but I’ve been surprised before.

But here’s what I do care about. I care if your plan involves using “digital rights management” technologies that prohibit people from opening up and improving their own property; if your plan requires that online services censor their user submissions; if your plan involves disconnecting whole families from the internet because they are accused of infringement; if your plan involves bulk surveillance of the internet to catch infringers, if your plan requires extraordinarily complex legislation to be shoved through parliament without democratic debate; if your plan prohibits me from keeping online videos of my personal life private because you won’t be able to catch infringers if you can’t spy on every video.

Twitter and corporate accounts

The Daily Business Post

The Daily Business Post has published some of my thoughts on the Irish perspective to the PhoneDog v. Kravitz case, in which a company is suing a former employee for his use of what was a corporate twitter account. PhoneDog primarily seeks a number of injunctions and damages but has raised the issue of ownership in twitter accounts.

In summary, while the issue is somewhat untested in Ireland, employment contracts and policies are likely to be crucial in cases of this nature. There may be something of a split between ownership of a twitter account and ownership of tweets.

Some more views are available in the Irish Independent and WardBlawg.

Battle of the Bakers: Round 2 (and an interesting update re Round 1)

Exhibit A

Exhibit A: McCambridge bread

I had assumed that the McCambridge v. Brennan brown bread case was solely one of intellectual property infringement but the judgment of Mr Justice Peart, which has now been published, shows that there is more to it (an Irish Times report of the case is here).

Indeed, Peart J notes that McCambridge do not “have any proprietary rights as such over that type of re-sealable bag, its shape or indeed the shape and size of the loaf of bread inside.” The company itself accepted that it does have such proprietary rights, nor rights over the shape and colour or ingredients of the bread itself.

Notwithstanding that, Peart J agreed that the overall impression on consumers satisfied the conditions for passing off (a form of action used to protect unregistered intellectual property rights).

[I]t would take more care and attention that I believe it is reasonable to attribute to the average shopper for him or her not to avoid confusion between the two packages when observed on the shelf, especially when these are placed adjacently or even proximately so.

Peart J indicated that an injunction should be granted to prevent further passing off. However, the interesting element of the case comes next: he also considered whether McCambridge are entitled to an injunction under section 71 of the Consumer Protection Act 2007 on the basis that Brennans were engaging in a misleading commercial practice.

The Minister for Jobs, Enterprise & Innovation recently announced a planned overhaul of consumer legislation, arguably ignoring that the 2007 Act was supposed to be just that (I wrote about it here in April 2011). The 2007 Act was quite significant, but appears to have been barely used, particularly by the National Consumer Agency. Indeed, Peart J states that they held a watching brief in McCambridge v. Brennan but, strangely, adopted “a neutral position”.

(The failure of the Agency to adopt a position is reminiscent of the refusal of the Data Protection Commissioner to involve his office in the EMI v. eircom case. Ironically, he recently went on to order eircom to halt the three-strikes system which resulted from that case.)

Exhibit B

Exhibit B: Wot, no McCambridge?

Peart J decided that McCambridge were not entitled to an injunction under section 71, apparently (my interpretation) on the basis that the design of its packaging was not a commercial practice involving marketing or advertising.

Peart J was to hear the parties in relation to the exact terms of his proposed injunction, but the decision to grant an injunction has since been appealed to the Supreme Court by Brennans.

As stated, my interpretation of Peart J’s comments (at paragraph 45) is that an injunction was not available because packaging was not “marketing or advertising”. I would have thought that the European Communities (Misleading and Comparative Marketing Communications) Regulations 2007 were aimed at preventing misleading advertising and that the (quite similar) provisions of the 2007 Act were of broader application such as would capture packaging. The 2007 Act is the Irish implementation of the Unfair Commercial Practices Directive which, in the UK, was implemented by statutory instrument. Guidance from the UK’s Office of Fair Trading gives the following example of a prohibited practice:

A trader designs the packaging of shampoo A so that it very closely resembles that of shampoo B, an established brand of a competitor. If the similarity was introduced to deliberately mislead consumers into believing that shampoo A is made by the competitor (who makes shampoo B) – this would breach the [Regulations].

Of course, Peart J had decided that Brennans’ passing off was not deliberate, and so could not have found them to have intended to “deliberately mislead consumers”. Nevertheless, it appears to be a case where the views of the Consumer Protection Agency would have been of use.

Department of Jobs, Enterprise & Innovation (brief) consultation on filesharing injunctions

[Updated 23/06/11] In the (literally) last days of the previous Government, a rumour shot around that the then Minister for Enterprise, Trade and Innovation was about to sign a statutory instrument into law which would address the gap in the law criticised by Mr. Justice Chartleton in the EMI & ors v. UPC case.

A firm denial was issued by the Minister but I’m not sure anyone really believed that a draft SI wasn’t floating around somewhere. Anyway, the newly-titled Department of Jobs, Enterprise & Innovation has put a draft SI out to consultation. The relevant SI text is below.

Deadline for submissions is 1 July 2011: less than 2 weeks from today. That’s pretty swift consultation by any standard. Apparently the Department received a number of requests for an extension to the consultation period, so the new deadline for submissions is Friday 29 July 2011.

New section 40(5A) of the Copyright & Related Rights Acts:

(5A)(a) without prejudice to subsections (3) and (4), the owner of the copyright in the work concerned may apply to the High Court for an injunction against a person who provides facilities referred to in subsection (3) where those facilities are being used by one or more third parties to infringe the copyright in that work.

(b) In considering an application for an injunction under this subsection, the court shall have due regard to the rights of any third party likely to be affected and the court shall make such directions (including, where appropriate, a direction requiring a third party to be put on notice of the application) as the court may deem necessary or appropriate in all the circumstances.

New section 205(9A) of the Copyright & Related Rights Acts:

(9A)(a) without prejudice to subsections (7) and (8), the rightsowner may apply to the High Court for an injunction against a person who provides facilities referred to in subsection (7) where those facilities are used by one or more third parties to infringe any of the rights referred to in Parts III and IV.

(b) In considering an application for an injunction under this subsection, the court shall have due regard to the rights of any third party likely to be affected and the court shall make such directions (including, where appropriate, a direction requiring a third party to be put on notice of the application) as the court may deem necessary or appropriate in all the circumstances.

Thanks to Ronan Lupton for bringing the consultation to my attention.

Battle of the bakers

It’s rare enough for an intellectual property dispute to make it to court in Ireland, so the new proceedings taken by McCambridge against Brennans over allegedly similar packaging are of interest.

US National Archives

Nothing says tradition like copyright infringement litigation

The case is at an early stage and has so far followed the usual procedure of admission to the Commercial Court, which has general jurisdiction to hear and fast-track IP cases. I’m glad to see I’m not the only one who wondered whether the similarities were actionable.

Has the Irish Government introduced #3strikes legislation? (Update: No)

[Updates at end] It appears that the Irish Government has implemented or is about to implement a significant change to the Copyright & Related Rights Acts 2000 to 2007 by statutory instrument on the eve of an election.

Silicon Republic reports:

In its final days, the Government is believed to be rushing through a statutory instrument that will amend the existing Copyright Act and which will give judges the power to grant injunctions against ISPs in relation to copyright infringement cases.

The demands for the change came about as a result of Mr. Justice Charleton’s decision in EMI v. UPC last year, when he ruled that Irish law did not allow him to grant such injunction “even though that relief is merited on the facts.”

The decision led to frantic lobbying on the part of record companies and a media campaign on this issue, including dramatic statements from Paul McGuinness that the issue “has got to do with the future of civilisation”.

With the range of other problems facing the Government the issue did not get much priority. The election manifestos of Fine Gael and the Green Party suggest that they are conscious of the issue with FG appearing to support the industry and the Greens appearing to support the consumer.

If accurate, there are many problems with this amendment and TJ McIntyre outlines them in his comments to Silicon Republic. However, whether or not the contents of the amendment to the Acts are agreed with, it is shocking that the Government is proposing to introduce such a contentious change by way of statutory instrument with hours to go before an election.

A statutory instrument is defined as “an order, regulation, rule, scheme or bye-law made in exercise of a power conferred by statute”. Section 7 of the Acts appears to provide reasonably wide scope for the introduction of regulations but it is likely be a topic for debate as to whether the reported change fits within or exceeds that provision.

Ironically, Charleton J. stated in his judgment:

Legislative intervention is required, if the Oireachtas see fit, to protect constitutional rights to copyright and foster the national resource of creativity. (my emphasis)

Updates (24 February 2011)

  • Acting Minister for Enterprise, Trade & Innovation Mary Hanafin has said that there “is no truth in the rumour” that an amendment to the Copyright & Related Rights Acts will be passed before the election. The press Minister expects the next Government to consult on the issue before such an amendment is made.
  • However, an story from the original source of the rumour earlier today said that the Department “neither confirmed nor denied that a statutory instrument was being pushed through, but said “it may be necessary” to introduce measures to clarify Ireland’s position under the Copyright Directive in relation to injunctions, thanks to the recent court case involving UPC and the music industry.”
  • Simon Coveney, a front-bench member of Fine Gael, tweeted about the issue earlier. Fine Gael is highly likely to introduce the amendment following the election but not, one hopes, by way of statutory instrument.

 

Do you own your wedding album?

You might think this a silly question. Of course you own your cherished wedding or civil partnership ceremony photographs. But how far does that ownership extend? Do you have the right to make copies of them and, perhaps more importantly, control their use? The short answer, for most couples, is: no.

Section 23 of the Copyright and Related Rights Acts 2000 to 2007 sets the default position: the author of a work shall be the owner of copyright in that work. In the case of photographs, section 21(h) provides that the author means the photographer. Accordingly, if your photographer provides you with an  album and nothing more is said or agreed, it is likely that you have merely purchased the services of the photographer in attending the ceremony along with the physical photo album.

Center for Jewish History, NYC

I suspect this couple was not given a CD of their wedding photos.

These days, photographers usually offer additional goods or services. For example, many provide a CD with digital copies of some or all of the photos. Some charge extra for such a CD. This is usually done with the expectation that the customer is entitled to make unlimited copies of these photos, but the agreement is often not explicit on this point. Indeed, many customers will not have a written contract in place with their photographer. If the customer is provided with a set of terms and conditions, perhaps on the invoice, this will probably form that contract.

If a photographer provides a CD of digital photos with the right to make copies, this might not permit further dealing with the photos, such as the right to upload them to Pix.ie or Facebook, for example, or to apply effects so that the photo could be printed on canvas in the style of a painting.

An important consequence of the photographer retaining copyright in the photos is that (s)he benefits from the rights of the copyright owner set out in Part II Chapter 4 of the Acts, specifically the right of the photographer to make his/her own use of the photos. I have come across a number of incidents where a recently married couple was surprised to find photos of their wedding displayed on the photographer’s website, magazine ads or even at wedding fairs (in one such case, the bride had not yet seen her own wedding photos when she saw them displayed at a wedding fair).

At this point first ownership of copyright in photos clashes with the Data Protection Acts 1988 and 2003. A photograph of individuals is personal data for the purposes of the Acts and generally should not be displayed publicly by another person without the consent of the people depicted in the photo. A photographer’s terms and conditions might include such consent, but any such consent can only be given by the customers (the couple) and cannot apply to guests. [See also the comments below concerning the right to privacy contained in section 114 of the Copyright and Related Rights Acts.]

Section 22A of the Data Protection Acts provides a limited exemption in the case of journalistic or artistic use of personal data but it is hard to see how a photographer could establish that publication of private photos was a matter of public interest (except perhaps in the case of celebrities, an area which itself is fraught with legal claims).

It is possible to agree with the photographer that copyright in all photos shall be assigned (ie. transferred) to the customer. Any such agreement must be in writing. However, most photographers will either be unwilling to agree to assignment or will charge an additional fee (which might be substantial).

As with anything, it is advisable to discuss with a photographer what exactly is being provided. The photographer should be asked if they retain copyright or assign it, and if they retain it reach explicit agreement on:

  1. what is the customer permitted to do with the photos provided; and
  2. that the photographer will agree not to use the photos in any public way.

Koger v. HWM: significant Irish software case on competing with former employer

This week’s big intellectual property news might have been IRMA v. UPC, but last week saw another major judgment in Irish IP law: on Friday 8 October 2010, Mr. Justice Feeney gave judgment in Koger Inc. & Koger (Dublin) Limited v. O’Donnell, Woolman, Gross & HWM Financial Solutions Limited. The outcome has been described as “a victory for the right of IT employees in Ireland to regard their know how and experience as their own intellectual property.”

The case concerned former employees and contractors of the plaintiffs who set up in competition with them. This can be a fraught area, though of course there is nothing, of itself, wrong or unlawful about competing with a former employer or customer. The most common legal issues that arise in relation to such scenarios involve allegations that (1) the new competitor has breached contractual terms restricting them from such competition, and/or (2) the new competitor has breached the intellectual property rights of the former employer. Koger v. HWM involved such allegations, but it is also of wider relevance to the law on discovery.

All parties to the proceedings are involved in the  transfer agency software market and their customers are major financial services fund managers. The plaintiffs are linked companies marketing one of the leading products in that market. The three individual defendants formerly worked for the plaintiffs, either as employees or contractors, and subsequently set up the fourth defendant company to compete with the plaintiffs.

At the outset of the proceedings, the main case advanced by the plaintiffs was that the defendants developed their ManTra product to compete with the plaintiffs’ NTAS product as a result of a breach of confidence and an infringement of the plaintiffs’ copyright, particularly in their source code and design materials. This suggests a literal copying claim, ie: the defendants must have literally copied some or all of the plaintiffs’ source code and design materials. However, over the course of the proceedings it appears that the plaintiffs were forced to abandon this element of their claim, with their core expert giving evidence that he had never believed literal copying to have taken place.

This was a particularly interesting aspect of the case as, a few months before it went to trial, Mr. Justice Kelly gave judgment on a discovery motion brought by the plaintiffs. Kelly J’s judgment is of interest itself, as it deals with the extent to which a court can limit access to documentation discovered during court proceedings. For the purposes of seeking discovery, the plaintiffs’ experts “expressed the view that the defendants must have relied upon the plaintiffs proprietary source code and database structure information in order to develop the ManTra product” and they provided reports stating that they had discovered instances of literal copying. This allegedly copied code later transpired to have been licensed from third parties and was proprietary to neither side. Indeed, up to the time of the trial one of the plaintiffs’ experts contended that the defendants’ product contained source code from the plaintiffs’ product [Feeney J, para. 22]. However:

As the plaintiffs’ case was presented to the Court it became apparent that the plaintiffs no longer sought to rely on a claim based upon literal copying notwithstanding having claimed that such copying was substantial. [Feeney J, para. 24]

While the case started out, therefore, as being primarily concerned with literal copying of software source code it developed into a claim that the defendants had improperly benefited from their former association with the plaintiffs when setting up in competition. The allegations made by the plaintiff included that the defendants had conspired to set up in competition before they had terminated their involvement with the plaintiffs, that they had set about destroying the plaintiffs’ business and that they conspired to poach the plaintiffs’ staff.

Feeney J. noted that the credibility of witnesses was central to these matters. He found that the defendants’ witnesses were “truthful and reliable … coherent, accurate and credible.”

The evidence of [the defendants'] witnesses stands in sharp contrast with the evidence of [the plaintiffs' two primary witnesses]. Both those witnesses demonstrated a willingness to provide misleading and unreliable evidence. They were evasive and unreliable in their evidence. Where there is a conflict [in evidence ...] the Court favours the accounts given by and on behalf of the defendants. [Feeney J, para.18]

Feeney J also commented:

The manner in which the plaintiffs have prosecuted their claims demonstrates a willingness to alter and vary such claims without explanation. They have proceeded to drop a significant element of their claim, in abandoning the claim based upon E*TAS, without any explanation. Similarly, they have been prepared to persist with claims, such as the claim of literal copying in a material respect notwithstanding that their experts either did not believe that there was such literal copying or had not made the effort or been requested to ascertain and confirm that the common source code identified in the two products emanated from common third party sources. It was not until the very end of the plaintiffs’ case that there was an acknowledgement that the plaintiffs were not pursuing a claim for literal copying. A more troubling matter arose in evidence when it became apparent that the plaintiffs were prepared to plead and swear directly contradictory accounts in respect of the same set of facts in different jurisdictions. This was indicative of an approach whereby the plaintiffs were prepared to use a set of facts in such a manner as to manipulate them for present advantage without regard to the real truth. [Feeney J, para 28]

With regard to discovery, Feeney J characterised the litigation strategy of the plaintiffs as being “to make extensive and general assertions against the defendants and seek to have those parties disprove such matters.” This extended to seeking “further discovery when the discovery which has been obtained does not establish the claim already made”.

In effect, the overall approach to litigation demonstrated by Koger is that in relation to former employees the onus is on them to prove that they have done nothing wrong and that Koger can and will sue those parties to see whether or not discovery might produce the documentation necessary to prove Koger’s case and if the original discovery does not achieve that end, then further and additional discovery will be sought. [Feeney J, para. 31]

In light of the above, it is easy to predict the outcome of the case: all of the plaintiffs’ claims were dismissed. The judgment is long but worth skimming through, given the colourful nature of the proceedings (including Feeney J’s description of the plaintiffs’ manner of running their business and allegations that a death threat was made against one of the defendants’ witnesses when he was an employee of the first plaintiff).

The judgment helps define what is acceptable when a departing employees decide to compete with their former employers. For example, it confirms that embryonic discussions about a potential new business may be acceptable while still employed by another person.

A core argument advanced by the plaintiffs was that it was not credible for the defendants to develop their product so quickly without resort to improper methods. Feeney J found that the individual defendants succeeded in developing their ManTra product quickly as a result of their own significant skill and expertise. While some of that may have been gained while working for the plaintiffs, the defendants did not infringe the plaintiffs’ rights by employing such skill and expertise. An employer can protect their intellectual property rights, but that does not extend to the skill and expertise an employee or contractor might develop while working for that employer.



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